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Shape and form, line and edge, color and surface design, are all of most importance to me in the process of composing a painting.  I elect to use treasures, possessions and familiar objects as a means to convey these things.It is the composition of chosen shapes and forms that will define, for me, the basis of a successful painting.
I like to activate these chosen shapes and forms with color and surface design.
Color is charged with power and meaning.  I use if to project mood and to manipulate visual movement, depth and direction.  It defines volume and further grants me playfulness.With the emphasis of juxtaposing and overlapping surface design, form is further defined by its edges – Its lines.  And movement flows along these lines.

Art Education
Bachelor of Arts degree from University of California, Riverside 1982
Gained education in Intaglio print making and watercolor painting from James Fuller.
Gained education in hand made paper making, dying and shaping from Elizabeth Fuller.

Exhibitions
Square i Gallery, Experience 10, December 1, 2006 to December 27, 2006
Galleria Beretich, Christmas Show, 2001
Galleria Beretich, Phoebe Fuller-Graham, Watercolor Paintings, 1994
Bella Cosa, Fuller Show, 1998
Bella Cosa, Mask Show, 1996
Reading for the Blind and Dyslexic, Auction
The Creative Will, National Juried Competition, 1993-1994
    Bacardi Art Gallery, Miami, FL
    Very Special Gallery, Washington, DC
    Paine Weber Gallery, New York, NY
    The Bay Front Gallery, Ther Herbst Pavilion at the Fort Mason Center
Against the Odds, National Juried Competition 1991
    The Met Life Gallery, New York, NY
    The 333 Gallery, San Francisco, CA
    The 800 Brickel Gallery, Miami, FL
    The Scottsdale Galleria, Scottsdale, AZ
Balboa Bay Club, Newport Beach, California, An Evening of Art, Auction, 1991
Barlett Gallery, Pleasanton, CA, Mother Daughter Show, 1987
The City of Palo Alto, CA, Bay Area Competition Award, 1986
First Street Bar and Grill, Claremont, CA, 1984
Gallery One Eleven, Claremont, CA  1983-84
Shakti Gallery, Long Beach, CA  1982-83
The Inland Empire Gallery, 1982

Publications
Cover of Project Rembrandt 1995 calendar
Cover of The Creative Will catalog, 1993-94
Cover of the Mental & Physical Disability Law Reporter, September-October, 1991
Cover of Fort Mason Center catalog, Against the Odds: The Project Rembrandt Biennial, October 1991
Publication of Origami Box, #1, as a card, by Pomegranate Publications, 1994
Mosaic, a literary magazine published at the University of California at Riverside, 1982
One of my intaglio prints was included accompanied by a poem.
Paintings are in private collections